清方は、横浜の金沢にある別荘の六畳一間の四阿（あずまや）の名を「游心庵（ゆうしんあん）」と名付け、後には別荘そのものを「游（遊）心庵」と呼ぶようになりました。別荘とその周辺の風景や日々の出来事を描いた全17図の絵日記です。
海へ向かう道や夕立後の空と海、泉のある深い木立の風景などのほか、別荘で過ごす家族の姿や、旅亭東屋を訪ねた時のこと、暑気あたりで寝込む自身の姿などが描かれています。歯医者に行くために東京に行った妻子を麦わら帽子姿で迎える清方の姿や、月を眺めながら「こんな晩は誰か来るといいのに」と家族で語り合う場景などからは、仲睦まじい家族の様子がうかがえます。

Random Sketches of the Villa, Yūshin-an (1922)
ink and pale color on paper; accordion-folded album (sketch diary)
30.2 x 42.2 cm each
Kiyokata named the six-mat gazebo at his Kanazawa villa the Yūshin-an. Later, he started to refer to the villa itself as the Yūshin-an. This sketch diary contains seventeen sketches of daily events and the scenery around the house.
In addition to the path to the sea, the sky and the sea after a sudden evening shower, and a spring set within a thick grove of trees, Kiyokata sketched his family at the villa, a visit to the Hotel Azumaya, and himself on bed rest after suffering heatstroke. We catch glimpses of the affection between the family members in the sketch in which Kiyokata, wearing a straw hat, greets his wife and daughter on their return from a visit to the dentist in Tokyo, or the scene in which they watch the moon and talk together about how pleasant it would be to have visitors on such an evening.